Show simple item record

dc.contributor.advisorBurhanuddin
dc.contributor.advisorBurhani, Al-May Abyan Izzy
dc.contributor.authorJaya, Muchamad Hanif Pratama
dc.date.accessioned2026-07-22T15:55:32Z
dc.date.available2026-07-22T15:55:32Z
dc.date.issued2026
dc.identifier.urihttp://repository.ipb.ac.id/handle/123456789/175484
dc.description.abstractAkun Instagram @MasjidSejutaPemuda menerapkan negative framing sebagai strategi dakwah digital untuk menjangkau Generasi Z. Penelitian ini menganalisis konstruksi pesan dakwah pada Instagram reels @MasjidSejutaPemuda berdasarkan Model Framing Entman dan respons audiens Generasi Z. Pendekatan kualitatif deskriptif diterapkan melalui observasi, wawancara, dan dokumentasi terhadap tiga video reels periode April 2026, dianalisis dengan model Miles dan Huberman. Hasil menunjukkan konstruksi pesan dibangun melalui narasi dua babak tidak seimbang: konflik (<30% durasi) sebagai negative hook dan resolusi (>70% durasi) sebagai substansi dakwah, dengan diagnose causes bergeser progresif dari individu ke kebijakan hingga stigma sosial. Efektivitas negative framing bersifat kondisional, terbagi dalam tiga tipologi respons audiens: saturasi progresif, keterlibatan kritis, dan keterlibatan lintas generasi.
dc.description.abstractThe Instagram account @MasjidSejutaPemuda applies negative framing as a digital dakwah strategy to reach Generation Z. This study analyzes the construction of dakwah messages in @MasjidSejutaPemuda's Instagram Reels based on Entman's Framing Model and Generation Z's audience responses. A descriptive qualitative approach was applied through observation, interviews, and documentation of three Reels videos from April 2026, analyzed using the Miles and Huberman model. Results show that message construction is built through an unbalanced two-act narrative: conflict (<30% duration) as a negative hook and resolution (>70% duration) as the dakwah substance, with diagnose causes shifting progressively from individual to policy to social stigma. The effectiveness of negative framing is conditional, divided into three audience response typologies: progressive saturation, critical engagement, and cross-generational engagement.
dc.description.sponsorship
dc.language.isoid
dc.publisherIPB Universityid
dc.titleStrategi Konstruksi Pesan Dakwah Digital melalui Model Framing Robert N. Entman pada Instagram Reels @MasjidSejutaPemudaid
dc.title.alternativeThe Construction Strategy of Digital Da'wah Messages through Robert N. Entman's Framing Model on Instagram Reels @MasjidSejutaPemuda
dc.typeTugas Akhir
dc.subject.keyworddakwah digitalid
dc.subject.keywordgenerasi Zid
dc.subject.keywordinstagram reelsid
dc.subject.keywordmodel framing entmanid
dc.subject.keywordnegative framingid
dc.subtypeUndergraduate Theses


Files in this item

Thumbnail
Thumbnail
Thumbnail

This item appears in the following Collection(s)

Show simple item record